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There was definitly a certain irony about reading that blog post yesterday, and my interest to bring it here. When I think of these non-geology types that dress this way I am forced to think of places like Boulder and Bozeman, for example.  

No, they wear these clothes not to be ready at a moment s notice to head out to the real country, they wear these clothes as a form of conspicuous consumption. They are saying: see, I don t need to dress in old haut bourgeois weekend casual clothes, because I go out to Aspen (or Park City, or some other far off trendy place) and this is what I would be wearing if I were there. (Never mind that I only go once a season, or once every two years, I want you to think that it was just some huge deal at work that has kept me in NYC, so I am wearing my ski jacket to dinner on the Upper West Side, or I have on my fleece vest, even though I have just been to an indoor gym).

I bought this hoodie mainly for working out and running which is why I like the fact that s its a little loose, giving me that freedom in mobility. Even though I use it to workout, I also wear it just as an everyday hoodie and it also looks great. Love the colors! ... read more

This didn t sit well with the Williamses. John, who works for the Montana Department of Corrections, often interacts with people facing the reality of our finite time on Earth. If you re spending the rest of your life in prison, you know, it makes you think about the mortality of life, he says. What s important is not how long you live, but rather what you do with the life you re given. MaryMargret feels the same way. For years she has worked in a local dermatology office. She knows all too well the cultural pressures to stay young, and wishes more people would embrace the inevitability of getting older. You get wrinkles, you get old, that s part of the process, she says.

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Gabby came out purple and limp. Doctors stabilised her in the neonatal intensive care unit and then began a battery of tests. Within days the Williamses knew their new baby had lost the genetic lottery. Her brain s frontal lobe was smooth, lacking the folds and grooves that allow neurons to pack in tightly. Her optic nerve, which runs between the eyes and the brain, was atrophied, which would probably leave her blind. She had two heart defects. Her tiny fists couldn t be pried open. She had a cleft palate and an abnormal swallowing reflex, which meant she had to be fed through a tube in her nose. They started trying to prepare us that she probably wouldn t come home with us, John says. Their family priest came by to baptise her.  

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Thank you for sharing the great information! I will definitely be visiting this lens from time to time for sewing patterns!

Hey! Someone in my Facebook group shared this site with us so I came to check it out. I m definitely loving the information.

 
Fifty years ago, on 18 March 1965, Soviet astronaut Alexei Leonov took the first space walk. Listen to Rob and Neil describing the struggles of that ground-breaking space mission whilst explaining some related vocabulary.  

A little TLC helps our clothes look good and last longer - from finding time to 'have-a-go' at getting out a stain to following the washing instructions on the label.

In the great city where he lived, life was always gay. Everyday many strangers came to town, and among them one day came twoswindlers. They let it be known they were weavers, and they saidthey could weave the most magnificent fabrics imaginable. Notonly were their colors and patterns uncommonly fine, but clothesmade of this cloth had a wonderful way of becoming invisible toanyone who was unfit for his office, or who was unusuallystupid.

Keeping only the clothes that give me a spark of joy has allowed me to relinquish items that I've been keeping out of one kind of guilt or another —that I bought something and never really wore it, because someone else gave it to me, or because it's wasteful to get rid of something that's perfectly 'good.'

Walker is working with a commercial outfit in California to compare all three girls entire genome sequences the exome plus the other 98% of DNA code, which is thought to be responsible for regulating the expression of protein-coding genes.

 
Our maternity clothes are designed to be both on trend and affordable to see you through your pregnancy in comfort and style  

This is very true. However being a person from the mountains in the west and now living in the city on the east. I don t feel as foolish wearing my ski jacket and hat when people are using umbrellas to cover themselves from the snow that never even sticks to the ground. You can spot the posers, but then again maybe I look foolish to them. But I still don t have to carry an umbrealla around wherever I go. FACE!

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That s because there are too many dipshits on the roads who would not see us otherwise. Of course, there is always the assclown who almost kills me, then tells me: I didn t see you. I usually reply that they should look past their nose.

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Even once they had collected the material, the team still faced the extraordinary task of building the genetic sequence. Given the enormous volume of data, the task was akin to shredding hundreds of thousands of copies of Moby Dick and then pasting the individual sentences back together into a meaningful order.  

Manufacturers and retailers of clothes dryers offer and advertise a variety of features on their products. Clothes dryer features are represented in the 'Features'specification categories on the CPI checklist (see last attachment). Dummy or indicatorvariables are created for all characteristics in this specification category. Each of thedummy variables is tested to see whether the overall fit of the model could be enhanced.Basic preliminary models used to test each of the features are presented in Attachment 5,iterative regressions 8 through 11.

You'll never have to hem and haw about whether something will be useful later, whether you should keep it because it's a 'good shirt' or was expensive or any of that! Note that 'sparking joy' applies perfectly well to items that aren't exactly thrilling but that serve us well. For instance, the cotton camisole that doesn't rise up and is just the right length — that sure sparks joy for me! Socks without holes spark a lot more joy than socks with holes. You get the picture.

You see a lot of people here in the Denver/Boulder area wearing this type of clothing including myself but a lot of people out here actually do outdoor activities not just talk about it.

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A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a...

A striking picture of von Gloeden’s Il Grande Fauno (the Great Faun), circa 1895. Where other photographs of this model posing in character appear innocent, detached stern expressions interspersed with the occasional friendly smile, in this there’s a distinct leaning toward celebrating the sensuality and eroticism of both his character, and his proudly displayed body, bare under hot bright sun.

A further addition to the 1855 set of reference photographs taken by Jean Louis Marie Eugène Durieu, for the famed artist Eugène Delacroix.

A further addition to the 1855 set of reference photographs taken by Jean Louis Marie Eugène Durieu, for the famed artist Eugène Delacroix. 

An early 20th century male nude by Guglielmo Plüschow, his typical set-dressing with patterned carpet and fabric making a fine backdrop to the timeless masculine beauty of his models.

An early 20th century male nude by Guglielmo Plüschow, his typical set-dressing with patterned carpet and fabric making a fine backdrop to the timeless masculine beauty of his models.

Published as a postcard circa 1910, this sandalled strongman leaves nothing to chance in protecting his modesty, and wears a large paper leaf, thoroughly secured with plenty of string!

Published as a postcard circa 1910, this sandalled strongman leaves nothing to chance in protecting his modesty, and wears a large paper leaf, thoroughly secured with plenty of string!

Though very similar to this other photograph by von Gloeden, the mood here is changed entirely - no peace and gentleness in the model’s pose, the addition of some dark stain to represent blood spilling beneath his fingers.

Though very similar to this other photograph by von Gloeden, the mood here is changed entirely - no peace and gentleness in the model’s pose, the addition of some dark stain to represent blood spilling beneath his fingers.

What a beautiful classically-inspired scene from von Gloeden; quite typical of his work, and quite lovely!

What a beautiful classically-inspired scene from von Gloeden; quite typical of his work, and quite lovely!

A second artist’s reference image of this tall and well-toned model posing for Jacques de Lalaing, some time in the 1880s or 1890s. This print has been neatly drawn over with a grid pattern, which proves its former usefulness to the artist, even if...

A second artist’s reference image of this tall and well-toned model posing for Jacques de Lalaing, some time in the 1880s or 1890s. This print has been neatly drawn over with a grid pattern, which proves its former usefulness to the artist, even if it does distract somewhat from the aesthetic appeal of the shot, and the model’s good looks!

Four confident and classically elegant models clasp hands and pose in leafy unspoilt countryside, for the camera of Guglielmo Plüschow around the turn of the last century - could they be the same group seen enjoying a similar setting in this...

Four confident and classically elegant models clasp hands and pose in leafy unspoilt countryside, for the camera of Guglielmo Plüschow around the turn of the last century - could they be the same group seen enjoying a similar setting in this photograph?

The Martyrdom of St Sebastian, by Oscar Rejlander circa 1867 - the earliest photographic representation of this saint in my collection, all three gathered here.

The Martyrdom of St Sebastian, by Oscar Rejlander circa 1867 - the earliest photographic representation of this saint in my collection, all three gathered here.

A skilfully composed garden scene by Wilhelm von Gloeden, taken toward the end of the 19th century at his villa in Taormina, Sicily.

A skilfully composed garden scene by Wilhelm von Gloeden, taken toward the end of the 19th century at his villa in Taormina, Sicily.

A deliciously explicit addition to my collection of early-1900s photographs featuring the incomparable Il Serpente, ‘The snake’ - the most naturally blessed and beautifully, brazenly seductive of all Vincenzo Galdi’s models.

A deliciously explicit addition to my collection of early-1900s photographs featuring the incomparable Il Serpente, ‘The snake’ - the most naturally blessed and beautifully, brazenly seductive of all Vincenzo Galdi’s models.

One of von Gloeden’s most recognisable models, the charming Pascquale Stracuzzi or ‘Pasqualino’ (right), in a very similar pose to this beautiful photograph, but here having gained an equally graceful and good-looking companion.

One of von Gloeden’s most recognisable models, the charming Pascquale Stracuzzi or ‘Pasqualino’ (right), in a very similar pose to this beautiful photograph, but here having gained an equally graceful and good-looking companion.

A further page of Louis Jean-Baptiste Igout’s reference photographs for artists, published between 1870 and 1880 by A. Calavas as an affordable and convenient alternative to life models, and especially useful for amateur artists working at home.

A further page of Louis Jean-Baptiste Igout’s reference photographs for artists, published between 1870 and 1880 by A. Calavas as an affordable and convenient alternative to life models, and especially useful for amateur artists working at home.

The magnificent Eugen Sandow, photographed here in 1894 by George Steckel, his physique looking every bit as impressive to a modern eye as it would have to his contemporaries.

The magnificent Eugen Sandow, photographed here in 1894 by George Steckel, his physique looking every bit as impressive to a modern eye as it would have to his contemporaries.

The bejewelled boy from Naples, his distinctive necklace and bangles barely visible in this shot, but more revealed by the dropping of the dark fabric which carefully covered him, when he posed for the better-known image in this set, Pompeii c1895.

The bejewelled boy from Naples, his distinctive necklace and bangles barely visible in this shot, but more revealed by the dropping of the dark fabric which carefully covered him, when he posed for the better-known image in this set, Pompeii c1895.